As historians of the Civil War era, we are all extremely familiar with the growing desire of using appropriate terminology in our scholarship and the pushback that such terminological changes have brought. We saw this when the Army University Press abandoned the term “Union” in its publications.[1] Slavery scholars had ...
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In 1985, The Historic New Orleans Collection purchased one of the few known nineteenth-century paintings of a free woman of color in the United States. François Fleischbein’s Portrait of a Free Woman of Color, completed in 1837, is mounted in an elaborate and expensive goldleaf frame. The woman wears a ...
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This issue exhibits historians’ continuing efforts to grapple with the complexities of the Civil War Era, emphasizing how our collective understanding of the period has been produced, which topics have been neglected or marginalized, and why. Ryan Hall’s article, “Chaos and Conquest: The Civil War and Indigenous Crisis on the ...
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This issue of the Journal of the Civil War contains three research articles and an historiographic review essay that reflect the field's increasing geographic and topical breadth. Together they indicate that calls to envision an expansive Civil War Era are being answered in increasingly rich and complex ways, and they suggest that ...
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On May 15, 2021, state officers, parish officials, and private citizens gathered in Colfax, Louisiana to watch local contractors remove an historical marker in front of Grant Parish Courthouse. Erected on June 14, 1951, the sign’s bold white letters announced that a civil disturbance claimed the lives of “three white ...
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