Earlier this week, the President of the United States made an appalling blunder: Andrew Jackson, declared President Trump, “was really angry that he saw what was happening with regard to the Civil War.”[1] Pundits fumed. Historians took to the Twittersphere to “fact check” the POTUS. Others denounced the President’s intellect. The venerable biographer Jon Meacham, in an interview with MSNBC, likened the President’s brain and its erratic intellectual activity to a pinball machine.[2]
Central to the excitement surrounding President Trump’s miscue is an enduring sentiment that surfaces with some frequency in conversations of Civil War causation. Why? Why nearly 800,000 killed? The short answer, of course, is slavery. Only a historically illiterate person, or the most unrepentant Lost Cause adherent, fails to recognize this. As Gary Gallagher has noted, the decades since 1960 have produced a vibrant literature that has placed African Americans and emancipation squarely at the center of Civil War scholarship. Yet despite a near consensus on the centrality of slavery to Civil War causation, some historians have lamented, and recently, that a divided America needed to fight that war. The sentiment is more established than many realize. In his meta-narrative revision to the Neoabolitionist school, David Goldfield, an Avery Craven associate in his days at the University of Maryland, declared that the Civil War remains America’s “greatest failure.” The conflict deemed irrepressible, writes Goldfield, was not inevitable after all. Other means might have ended the heinous institution.[3] William J. Cooper, a dean of Southern history, revitalizes a similar interpretation in We Have the War Upon Us.[4] How can historians make sense of these divergent historiographical traditions – orthodox Neoabolitionism and throwback Revisionism – and view them as a coherent whole?
Enter the New Revisionism, which Yael A. Sternhell traces skillfully in her historiographical essay “Revisionism Reinvented? The Antiwar Turn in Civil War Scholarship” (in the June 2013 issue), which uniquely balances these historiographies.[5] In her assessment of the literature, Sternhell suggests that American military misadventures in Vietnam and the Middle East have effected a greater cynicism among academics who assess the character of the Civil War. New Revisionists, she notes, inspired by the late Michael Fellman and led by such scholars as Stephen Berry, Brian Craig Miller, and Megan Kate Nelson, fixate on the less savory dimensions of war. Practitioners dwell on dark tales of terrorism, torture, and ruin. Heroes emerge as villains. [6] But in an important contradistinction, the New Revisionism has channeled earlier Revisionists’ aversions to violence even as it has dismantled the needless war myth. Sternhell characterizes the essence of Dark Turn literature as an “emphasis on process.” New Revisionists do not question the good of emancipation. Instead, she writes, their works stress how belligerents participated in the war. In a fitting conclusion, she counsels historians to “approach the Civil War with all the uncertainty, skepticism, and realism with which we treat other wars and historical events.”[7] This is helpful advice.
I remember reading Sternhell’s essay for the first time in my favorite coffee shop near the Lake Michigan shore. It is an essay I return to frequently, for it is a model of clear and deep historical thinking. In a field that increasingly stresses specialization, “Revisionism Reinvented?” encourages readers to take long views. Historians must remember to assess the complementarity and divergence of historiographical interpretations, and to mark their fluidity and development over time. The New Revisionism shows no signs of disappearing. And in light of President Trump’s recent comments, Yael Sternhell’s thoughtful essay on the meaning and significance of the New Revisionism – which allows historians at once to count the horrific costs of the war and maintain its necessity – remains as relevant now as when it first appeared.
[3] See David Goldfield, America Aflame: How the Civil War Created a Nation (New York: Bloomsbury, 2011).
[4] See William J. Cooper, We Have the War Upon Us: The Onset of the Civil War, November 1860-April 1861 (New York: Alfred A. Knopf, 2012).
[5] Yael A. Sternhell, “Revisionism Reinvented? The Antiwar Turn in Civil War Scholarship,” The Journal of the Civil War Era 3, no. 2 (June 2013): 239-256.
[6] See Stephen Berry, ed., Weirding the War: Stories from the Civil War’s Ragged Edges (Athens: University of Georgia Press, 2011).
Mitchell G. Klingenberg is a doctoral candidate in history at Texas Christian University in Fort Worth, Texas, and an instructor of history at Trinity Valley School. He is most recently the author of an article concerning Frederick Adolphus Porcher, religion, and intellectual culture in antebellum Charleston (which appeared in the South Carolina Historical Magazine), and he has published reviews in the Journal of the Civil War Era and the Catholic Historical Review. His dissertation examines nineteenth-century religion, politics, and generalship in the life of Union Major General John F. Reynolds. He can be found on Twitter @mgklingenberg.
Today we begin a brief blog series where, in light of recent public discussions regarding the Civil War, historians reflect on scholarship published in The Journal of the Civil War Era, highlighting some of the excellent research being done today. Our first entry, from Christopher Phillips, is below. If there is an article in the JCWE that you have found particularly meaningful, please let us know!
Donald J. Trump’s latest public statements about U.S. history have him suggesting that Americans have never contemplated the causes of the Civil War. More than a century of scholarship–and scholars–attest to his ignorance, but recent trends have many historians feeling somewhat ignorant about the subject they long believed they knew well.
Most histories of the Civil War era portray the war as a conflict exclusively over slavery, fought between North against South as a struggle over free labor against slave labor and local sovereignty against federal power. I believe Stacey L. Smith’s thoughtful JCWE essay in the December 2016 issue, “Beyond North and South: Putting the West in the Civil War and Reconstruction” is among the most needed assessments of the new wave of Civil War revisionism. “Written out of the Civil War and Reconstruction,” she notes, “the West stands as an isolated, even exceptional, region with a history largely disconnected from the crisis over slavery, freedom, and federal authority that tore apart the North and the South.”[1]
More than simply accede this incongruity, Professor Smith argues trenchantly that we need to reframe the debate over the coming of the war from one exclusively over slavery into one intersecting with broader regional, national, and even continental conflicts associated with expansion. The West offers a perfect interpretive proving ground. “Violent conflict in the West anticipated, paralleled, and helped determine the course of federal state-building during the Civil War era,” she concludes. “[W]estern historians, long attuned to the region’s critical role in nineteenth-century state-building, are lighting the way by making explicit the connections between southern and western resistance to federal control…[l]oosening the Civil War from its North-South moorings.”[2]
Professor Smith’s essay anticipates Steven Hahn’s excellent new synthesis, Nation Without Borders: The United States and Its World in an Age of Civil Wars, 1830-1910, which integrates the exceptionalist narrative of slavery and freedom with the decidedly unexceptional narrative of American imperialism in the long nineteenth century. Like Hahn, Smith reminds us that the same ideal of the West that inspired Americans to undertake its greatest period of national expansion also drove them to commit its greatest national tragedy in the form of a fratricidal civil war.
[1] Stacey L. Smith, “Beyond North and South: Putting the West in the Civil War and Reconstruction,” Journal of the Civil War Era 6, no. 4 (December 2016): 566-67.
Christopher Phillips is professor of history and department head at the University of Cincinnati. The author of seven books, his most recent, The Rivers Ran Backward: The Civil War and the Remaking of the American Middle Border, received the 2017 Tom Watson Brown Book Prize. He can be contacted at phillicr@ucmail.uc.edu.
In the seven years we’ve been in print, the Journal of the Civil War Era has published a number of essays focused on Civil War causation. I turn to a number of these when I teach the Civil War and I have actually advised others—people I’ve met on the sidelines of soccer fields, when walking the dog in my neighborhood, or chatting with a parent at back-to-school night—to take a look for themselves. Indeed, in our second issue published in June 2011, we published Frank Towers’ “Partisans, New History, and Modernization: The Historiography of the Civil War’s Causes, 1861-2011.”
In the essay, Towers identifies the origins of the debate about what caused the Civil War in the war generation of partisans—people like Alexander Stephens and Jefferson Davis, on the one side, and William Seward, among others, on the other side—men who, according to Towers, were motivated by their “obsession with the protagonists’ questions of who was to blame for dissolving the Union and why.”[1] These men were followed by generations of professionally trained historians who returned to the question of what caused the Civil War, each time with new sources and methods at their disposal and moved by a willingness to follow the evidence where it took them.
Today is a great day to go back and read Towers’ essay—or to recommend it to someone else. And, perhaps you’d like to recommend something else, from the pages of JCWE or elsewhere? Our back issues are available through ProjectMuse and are part of the benefits of membership in the Society of Civil War Historians.
[1] Frank Towers, “Partisans, New History, and Modernization: The Historiography of the Civil War’s Causes, 1861-2011,” The Journal of the Civil War Era 1, no. 2 (June 2011): 240.
Judith Giesberg holds the Robert M. Birmingham Chair in the Humanities and is Professor of History at Villanova University. Giesberg directs a digital project, Last Seen: Finding Family After Slavery, that is collecting, digitizing, and transcribing information wanted ads taken out by formerly enslaved people looking for family members lost to the domestic slave trade.
The essays in this issue seek to reopen debates on topics central to our understanding of Civil War causes and the administration of the war, namely, tariffs, states’ rights, and Confederate draft exemption. Another essay revisits an important freedom suit that stood ominously in the background as the Dred Scott case was argued. In each, the author pays careful attention to the words and actions of legislators—and litigators—as they sought to respond to local needs while navigating a national crisis. There are all sorts of surprises here.
The issue opens with Earl Hess’s Tom Watson Brown acceptance speech. Hess issues a call to action for scholars to continue to find ways to revitalize military history by refusing to limit ourselves to four years and by continuing to internationalize the field. Hess also encourages scholars to take on the smallest aspects of military history, for in them we can illuminate larger issues in the history of war—something that Hess did with great effect in his Watson Brown Prize–winning book, Civil War Infantry Tactics: Training, Combat, and Small-Unit Effectiveness.
Daniel Peart’s essay reveals the fierce politicking at work as Congress deliberated the 1846 tariff. Rather than following their party, congressmen operated on a diverse set of interests, including the demands of their constituents and their personal principles. Peart reminds us of the importance of paying attention to agency and contingency within the party system as he charts the tariff’s unlikely passage, in a Democratic Senate, after an eleventh-hour resignation of a principled Democrat. Peart shows us that the period’s interminable tariff debates need not be narcolepsy-inducing but rather can offer historians a fresh perspective on antebellum politics.
Sarah Gronningsater tells the story of the freedom suit that, had it arrived at the Taney court, had the potential of bringing slavery into states that had long ago prohibited it. The case hinged on whether a Virginia couple—Jonathan and Juliet Lemmon—retained ownership of their slaves when they arrived in New York, where they prepared to board a steamer to New Orleans. Once there, a local black activist—Louis Napoleon—launched a freedom suit on the slaves’ behalf, one that, in the wake of Dred Scott, had the potential of receiving a ruling sympathetic to slave owners demanding an absolute right of safe transit for their slave property. Revisiting the 1852 Lemmon case allows Gronningsater to explore how black laborers used the legal process in the North to force the nation to debate the legal limits of slavery.
States’ rights, Michael E. Woods tells us, was an issue that northern Republicans felt keenly. Indeed, he argues that in the 1850s Republicans rediscovered and claimed “an alternate states’ rights tradition” and refined it into a powerful antislavery weapon, criticizing federal slavery policy. Republicans, Woods insists, were the real antebellum proponents of states’ rights, adhering closely to eighteenth-century precedents intended to protect civil liberties.
John Sacher reconsiders the controversial Confederate draft exemption called the “twenty-negro” law.” Popular resentment of the law, he argues, often focused on those who abused it, and, in any case, very few men were exempted for this reason. Stressing popular demands for protection from slave rebellion, Sacher refers to the law as an “overseer law” and examines how Confederate congressmen revised it in response to criticism. Sacher argues that rather than a regressive measure that fell heavily on the shoulders of the poor, the law was shaped to respond to their needs.
William Carrigan’s review essay on lynching rounds out this issue. Carrigan surveys recent scholarship expanding our perspective on lynching to include understudied groups—such as Native Americans and Chinese, Italian, and other immigrants—and new approaches, such as global and transnational perspectives. He finds that the Civil War era was a critical turning point in the history of American lynching, a point that has been missed in the scholarship that focuses on the last two decades of the nineteenth century. Historians have much to learn by situating the study of lynching in the history of mob violence, beginning in the antebellum period.
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In recent weeks, activists have spotlighted the disappearance of numerous young women of color from the District of Columbia and its environs—a reality, they allege, that was long underreported by public functionaries and local media.[1] Intentionally or neglectfully, these women’s voices and those of their communities were long silenced. As a roundtable of leading scholars convened at the Organization of American Historians 2017 Annual Meeting noted, such silencing is not a recent phenomenon. The session, entitled “Pioneers and New Scholarship on Women in the Pre-Civil War South,” argued that until relatively recently, historical condescension, lack of interest, and unquestioned assumptions regarding archival limitations collectively suppressed the historical voices, stories, and lived experiences of African-American women. Only in the last few decades have scholars deployed new and rigorous research methodologies to find their voices amidst this silence and begun to recover them; in doing so, they have reiterated with every discovery that black women’s lives did and do matter, that their names must be said, and that their voices must be heard.
The starting point for this roundtable—comprised of Drs. Deborah Gray White, Catherine Clinton, Jennifer Morgan, Daina Ramey Berry, and Stephanie Jones-Rogers, and chaired by Dr. Brenda Stevenson—was Deborah Gray White’s groundbreaking Ar’n’t I a Woman? Female Slaves in the Plantation South (Norton, 1985). White (currently the Board of Governors Distinguished Professor of History at Rutgers University) informed the audience that when she began the project, she was told it could not be done because the requisite sources for a history of enslaved women simply did not exist: a refrain that became all too familiar as the session proceeded. To the degree that black women appeared in prior histories of slavery, White argued, they were bit players in a historical drama that emphasized black masculinity amidst the historical, social, and political debates swirling during the late 1960s and early 1970s, and they were often reduced to sexual points of contention between white and black men. Lacking language for what we would now term intersectionality, early scholars of enslaved women laid the groundwork for those who would come after by opening new archives and indicating voids yet to be filled. Catherine Clinton, Denman Endowed Professor of American History at the University of Texas at San Antonio and author of (among many others) The Plantation Mistress: Woman’s World in the Old South (Pantheon. 1982) and Harriet Tubman: The Road to Freedom (Little, Brown & Co., 2004), largely affirmed White’s retrospective. Scholarship on black women produced during the late 1970s primarily emphasized their sexuality, whether as a factor in the construction of black masculinity or as a means of understanding the white plantation household—and further explorations were widely discouraged.
The roundtable’s other scholars reflected on the ways in which they had taken up White’s call for closer scrutiny of claims that the archive was truly devoid of black women. Jennifer Morgan, a Professor of Social and Cultural Analysis and History at New York University and author of Laboring Women: Gender and Reproduction in New World Slavery (Pennsylvania, 2004), recalled also having been met with skepticism regarding the possibility that her dissertation could even be written; nevertheless, she found rich new sources that placed women—and particularly the reproductive labor of enslaved women—at the center of the colonial experience in the New World. Morgan affirmed that historical inquiries can and should be rooted in the archives, but called for historians to be critical of the power dynamics and historical oppressions on which archives are constructed (a call reminiscent of those by Kathryn Burns, Yael Sternhell, and Marisa Fuentes to look at the archive as well as in it, and to give particular emphasis to those places where there are pronounced silences).[2]
Daina Ramey Berry (Associate Professor of History at the University of Texas at Austin) reflected on how the need to read archival sources afresh (and skeptically) proved fruitful in her work. She emphasized that in Swing the Sickle for the Harvest is Ripe: Gender and Slavery in Antebellum Georgia (Illinois, 2007), she chose to go where enslaved women were in the archives rather than where others expected her to go, and in doing so found women’s own assessments and valuations of their work as well as the values masters placed on their unique laboring capacities—particularly in reproduction. More recently, her The Price for Their Pound of Flesh: The Value of the Enslaved, From Womb to Grave, in the Building of a Nation (Beacon Press, 2017), studiously juxtaposed enslaved voices and their self-determined soul values with the commodification forced on them by their masters.
Finally Stephanie Jones-Rogers, Assistant Professor of History at the University of California-Berkeley, whose forthcoming book, Mistresses of the Market: White Women and the Economy of American Slavery (under contract with Yale) examines the role of women in the business of slavery, recounted her own experiences pursuing female voices overlooked and disregarded in the archive. Historians long assumed that while women participated in the slave system, their involvement was largely limited to household management and domestic economy. Jones-Rogers’s research recovered the myriad ways in which they engaged in all aspects of antebellum slave commerce, and in doing so she advanced the inclusion of women in the story of the slavery’s expansion during the antebellum period.
The assembled scholars celebrated strides made over the last thirty years in recovering voices long assumed to be lost, applauding the ways in which careful observation and reading sources against the grain have populated scholarship on the antebellum South with unprecedented numbers of women—and particularly black women. They also provided instructive cautionary tales. Popular depictions of the enslaved, Clinton and White argued, have not kept pace with scholarship; while White compared Lupita Nyong’o’s exemplary portrayal of Patsey in 2013’s 12 Years a Slave to 2016’s Birth of a Nation’s retrograde use of black women’s sexuality as a foil for black masculinity, Clinton cited a request that she consult on a reality show recalling the plantation South. Berry’s experience on the 2016 remake of Roots suggested that many shows wish to incorporate cutting-edge scholarship, a positive step that must be set alongside arguments Clinton recalled, witnessing against Harriet Tubman’s inclusion on the twenty dollar bill. Popular mythmaking, the panelists concurred, can inaccurately shape scholars’ expectations about what they might find in the archive (many cited the elusive “Mammy” figure—long assumed to be a prominent part of the enslaved experience, but absent from the sources). Rather, historians must enter the archive and write what they find there: acknowledging historically created silences and lacunae, recovering and deploying the voices of the enslaved, expanding access to the archives for all, and encouraging deeper exploration of them by the next generation of scholars—all of which will allow new voices to resound out of present silences.
[1] Laura Jarrett, Samantha Reyes, and David Shortell, “Missing Black Girls in DC Spark Outrage, Prompt Calls for Federal Help,” CNN, http://www.cnn.com/2017/03/24/us/missing-black-girls-washington-dc/ (accessed April 14, 2017); Shaun King, “It’s No Accident That We Hear So Little About Missing Black Girls In This Country,” New York Daily News, http://www.nydailynews.com/news/national/king-no-accident-hear-missing-black-girls-article-1.3005609 (accessed April 14, 2017).
[2] Kathryn Burns, Into the Archive: Writing and Power in Colonial Peru (Durham, NC: Duke University Press, 2010); Yael Sternhell, “The Afterlives of a Confederate Archive: Civil War Documents and the Making of Sectional Reconciliation” Journal of American History 102, no. 4 (March 2016): 1025-1050; Marisa J. Fuentes, Dispossessed Lives: Enslaved Women, Violence, and the Archive (Philadelphia: University of Pennsylvania Press, 2016).
Robert Colby is a Ph.D. candidate in history at the University of North Carolina, Chapel Hill. His dissertation, "The Continuance of an Unholy Traffic: Slave Trading in the Civil War South," examines the ways in which the domestic slave trade shaped the course of the Civil War and the experience of emancipation. You can follow him on Twitter, @rkdcolby86.
The streets, sidewalks, and facades of New Orleans’ famous Canal Street repeatedly bore witness to terrible outbursts of violence throughout the Reconstruction Era, as ex-Confederates tried to overturn the egalitarian reforms of Reconstruction through bloodshed and intimidation. Several of the most important massacres and street battles in the history of Reconstruction happened within walking distance of the Marriott, this year’s venue for the Organization of American Historians (OAH). In fact, the Mechanics’ Institute Massacre of 1866, which Philip Sheridan famously termed “an absolute massacre by the police” of supporters of black suffrage, took place just four blocks up Canal Street from the conference.[1] In this sense, the OAH was a fitting venue for Sunday’s panel, “Democratizing Violence in the Post-Civil War South.”
The panel explored the role of violence in shaping Reconstruction and the meaning of the Confederate defeat. Two of the speakers, David Williard and Carin Peller-Semmens, employed a bottom-up perspective to gauge the impact of vigilantism on the parameters of Reconstruction, while the third, Bradley Proctor, examined the ideology behind acts of white supremacist violence. Despite the different methodologies, the panelists made a single, collective assertion that the wave of postwar violence carries significant implications for our understandings of the arc of Reconstruction, its design, and its possibilities.
Peller-Semmens makes perhaps the most recognizable claim about postwar violence: that white vigilantism constituted an important political tool through which former Confederates regained local control after the war. Her essay, “‘The Creatures Do Not Respect Their Creator’: The Unifying Power of Violent White Supremacy in Northwest Louisiana,” argues persuasively that ex-Confederates in northwestern Louisiana used violence as a tool to overthrow the Republican Party in the Red River region of the state. Peller-Semmens examines the correspondence and political origins of three massacres in the region–at Shady Grove, Colfax, and Coushatta–finding that vigilantes tortured and killed local Republicans in grisly spectacles to permanently disable the party.
Where previous narratives of violence in northwest Louisiana tend to discuss postwar violence within its immediate context, Peller-Semmens provides a more detailed and sophisticated framework by alluding to antebellum systems of power.[2] She finds that “violence supplanted mastery as the means of subjugating freedpeople” after the war, cutting across class lines and prior party affiliation as part of a popularized struggle in ways slavery never could. This widespread white vigilantism in northwest Louisiana helped institutionalize white power and citizenship at the expense of African Americans while repositioning the remembered antebellum plantation regime to align more closely with the rhetoric white solidarity than property. In short, vigilantism rendered white southern politics participatory.
Williard likewise argues compellingly in “The Violent Creation of Confederate Veteranhood” that ex-Confederates’ acts of vigilantism in the immediate aftermath of the war indicate real changes to southern social and political hierarchies. Williard’s argument finds poignant illustration in his telling of an attack on a formerly enslaved man in Mississippi by a group of Confederate veterans. The victim, whose name was sadly omitted in the records, carried a pass from his enslaver-turned-employer to visit another plantation. Rather than respect the authority conveyed by the pass, however, the ex-Confederates declared “we don’t give a damn for that” and brutally assaulted the bearer. For Williard, widespread incidents like this indicate that the nature of citizenship itself had been altered during the war and its aftermath. White violence transformed the antebellum hierarchy predicated on the fetishization of enslavers’ property-in-persons to one based on white men’s “capacity to weild force… [as] the basis for standing within their communities.” These vigilantes acted to make sense of their Confederate service and challenge the classist version of white supremacy that characterized the region in the antebellum period.
Williard and Peller-Semmens’s more granular analyses of the role of violence in shaping the course of Reconstruction pair well with Proctor’s larger ideological framework in “The Mind of the Klan: An Intellectual History of White Supremacy during Reconstruction.” Proctor notes that though the antebellum order had been thoroughly upended by the war and emancipation, the nature of its replacement was still very much in doubt during Reconstruction. This uncertainty, for Proctor, helped inspire the Klan to pursue violence. In this sense, as with Williard and Peller-Semmens, postwar white vigilantism represents more of a response to changes brought by emancipation than an urge to maintain the prewar regime of plantation violence.
Proctor weaves examples of Klan violence into this ideological narrative to illustrate its connection to material systems of power. He finds that over half of the local officials and politicians they assaulted were white, and that Klansmen also attacked planters whose terms of employment seemed to favorable to freedpeople, representing a significant breach with the property-oriented, elite-friendly antebellum system. Proctor likewise argues that Klansmen espoused a specific vision of the post-emancipation household and regularly assailed “white or black, who seemingly challenged strict familial or sexual boundaries of race.” As a result, he observes, two thirds of the women attacked by Klansmen were single, versus only about one tenth of men.
The overarching vision of the panel indicates the richness of the “Dark Turn” in studies of the Civil War era.[3] Although violence alone falls flat as an analytical construct (as chair and commenter Greg Downs rightly noted), the renewed emphasis on violence provides an opportunity to better understand the workings of local government and its relationship to white supremacy. Indeed, one of the most significant and unfortunate achievements of Reconstruction was embedding white supremacy in state and local systems of power at the very moment when it might have finally been vanquished. Placing a greater emphasis on acts of violence also allows historians of the period to locate white northerners within the workings of white supremacy. Did they tacitly condone these acts, actively participate, or accept them as the price for Reunion? Despite the innovative work of Edward Blum, Chandra Manning, Elaine Parsons, and others in this direction, there is still much we do not know about the northern role in Reconstruction violence.[4] And if the many panels examining the legal implications of Reconstruction are any indication, the project of outlining the material and cultural limits of Radical reforms within the context of white supremacy and vigilantism will remain important for the foreseeable future.
[1] James Hogue, Uncivil War: Five New Orleans Street Battles and the Rise and Fall of Radical Reconstruction (Baton Rouge: Louisiana State University Press, 2006), 44.
[2] Gilles Vandal provides by far the best survey of postwar violence in Homicides in Post-Civil War Louisiana, 1866-1884 (Columbus: Ohio State University Press, 2002).
[3] Brian Matthew Jordan, “The Future of Civil War History,” Emerging Civil War, June 23, 2016, https://emergingcivilwar.com/2016/06/23/the-future-of-civil-war-history-brian-matthew-jordan/.
[4] Edward Blum, Reforging the White Republic: Race, Religion, and American Nationalism, 1865-1898 (Baton Rouge: LSU Press, 2005). Chandra Manning, What This Cruel War Was Over: Soldiers, Slavery, and the Civil War (New York: Knopf, 2007). Elaine Parsons, Ku-Klux: The Birth of the Klan during Reconstruction (Chapel Hill: UNC Press, 2015).
William Horne is a PhD candidate at The George Washington University and editor at The Activist History Review, http://www.activisthistory.com. His research explores the relationship of race to labor, freedom, and capitalism in post-Civil War Louisiana. Mr. Horne’s dissertation, “Carceral State: Baton Rouge and its Plantation Environs Across Emancipation,” examines the ways in which white supremacy and capitalism each depended on restricting black freedom in the aftermath of slavery. He can be contacted at horne.activisthistory@gmail.com and followed on Twitter at @wihorne.
To coincide with our March 2017 special issue on Reconstruction, we interviewed Nancy Bercaw, curator of the Slavery and Freedom exhibit at the Smithsonian Museum of African American History and Culture. Dr. Bercaw contributed to our roundtable discussion on how Reconstruction is represented in public history contexts. In this interview she discusses the challenges, surprises, and pitfalls she encountered while preparing these exhibits, and she also provides some timely advice for those interested in pursuing museum studies.
What were some of the challenges of telling the story of Reconstruction at the Museum of African American History and Culture? How did curators address those challenges?
Perhaps the greatest challenge we faced was how to maintain the complexity of the Reconstruction era without overwhelming the visitor. From teaching, I knew that students get lost in the twists and turns of Reconstruction and drown in legal acts and proclamations. The result is that they can’t see the forest for the trees. We addressed this by using physical space to our advantage. We set the legislative acts on a wall that literally faces another wall that explores the variety of African American expressions of freedom. Then we were careful to make sure each wall referred to the other. The ungodly violence was more difficult to convey. So we made a media piece filled with voices and images from the period to give force and movement to the period.
Do you have any sense of how visitors react to the parts of the exhibits that deal with emancipation, Reconstruction, and the rise of Jim Crow? What questions do they have? What surprises them?
Perhaps the biggest surprise for many visitors is that emancipation was the result of African American thought and action. People are used to the Lincoln story or the fact that “the nation” waged a war against slavery. They see this as inevitable. So when they see the story through the African American lens they understand that the demise of slavery was far from inevitable, far from complete, and that it took thought, action, and political ingenuity. They are also taken aback that African American men held elected office after the Civil War and that so many homes, businesses, and institutions were built in this period. Jim Crow is less of a surprise.
In light of new developments like the museum, the new Reconstruction Era National Monument, and public commemorations of the Memphis Massacre, do you think it’s increasingly possible to talk about Reconstruction in public life today?
I certainly hope so. I certainly see it referred to more on social media and in the press. That being said, we have a long way to go. I think most Americans have no idea what Reconstruction was. We hope to use social media and our website to provide a public forum for debates that are largely confined to academic discussion and social activism.
Many people have drawn connections between Reconstruction and our current moment. What do you personally think is the best, most historically honest way to make those connections and tell that story? What are the stakes when we do so, and what are the potential pitfalls?
I think the pitfalls lie in telling any story that makes history seem cyclical, inevitable, or unchanging. This shapes the way I make connections between past and present. I have really appreciated using the concept of afterlives—a sedimentary vision of history—to display past and present. We can do this in a three-dimensional medium through juxtaposition and repetition. For example, when you enter our history galleries you can see down three levels with the Edisto Island slave house on the first floor and the Jim Crow railcar and the Angola prison guard tower on the second floor. You can see the passage of time but you can also see (quite literally) the past in the present.
You moved from being a history professor to being a museum curator. What are some of the biggest differences between the two jobs? How is writing history different from producing it in a museum?
What I have found so delightful and satisfying is how the two careers really work well together. At the University of Mississippi, I was responsible for teaching survey classes that were often quite large. Lectures, therefore, were inevitable. It turns out that this is quite valuable experience for putting together a museum exhibition. For one thing, you are always concerned about your audience. How can you invite them into a topic? How can you make it useful, engaging, and relevant? How can you leave spaces for them to put together the material themselves and own it? Finally, I really enjoyed surveys because you take a large and complex topic and break it down in such a way that it remains complex, but knowable. Exhibitions work the same way. You are faced with a vast array of material and stories (such as U.S. History to 1865). Then you consider your overarching goal. After you gain clarity on that, you construct “units” (or in the case of an exhibition “sections”) that deepen and challenge that thesis. You provide tools for your audience to make sense of and test your assumptions.
What kinds of work experience did you have, prior to going to the museum, that made it possible for you to get a position as a curator? What advice would you give to graduate students in history and other people interested in making a similar transition?
My experience is very dated in many ways. There was no pathway into the museum field in the 1980s. In college, I kind of felt my way through it and studied history, art history, and literature. I kept looking for history with a life in it. Today that would be in a studies program but they really weren’t developed much in my day. So I became a history major. When I told my advisor that I wanted to work in museums, he was disappointed with me. I am not sure he took me seriously after that. But I was pretty determined so I found my own way. When I graduated from college I lived at home, worked, and saved money and then applied for an internship at the Smithsonian. Against all odds, that turned into a temporary job where I worked on the Inventory Team, then as a museum technician, and finally as a research assistant for Gary Kulik, the Chair of History and Culture. Over those three years, I got pretty restless because I wanted to be more creative and do history. But only curators could do that. And to be a curator, I was told, you had to have a PhD. So I applied to the Department of American Civilization at Penn which had a strong program for material culture and Southern history, and remarkable scholars in African American Studies. After being credentialed in this way, I again felt the pressure to conform and became a professor rather than a curator. It turns out this was great experience. I taught at Rhodes College and at the University of Mississippi, got tenure and all that and then got restless again. I was working on a book about museums and the reconstruction of race when a job came open at the Smithsonian. I jumped at the opportunity. I think my restlessness paid off in the end. Every deviation from the straight path gave me experience I could build on later.
As far as advice to others? Make sure to study material culture and think about it seriously as a form of evidence. A PhD is helpful but not always necessary. Teaching, either formally or informally, is critical. Don’t take “no” for an answer and slough off disrespect. Jobs and job descriptions may define you and define your value, but life’s too short to let that stop you.
We really appreciate Dr. Bercaw’s willingness to chat with us. If you have questions for her, please leave them in the comments! To learn more about the future of Reconstruction studies, please check out our online forum and the rest of our March 2017 issue, available on Project Muse.
According to the Financial Times, the Trump White House is fighting a civil war over trade.[1] Trump’s ultra-nationalist “America First” program does not sit well with Republican free traders. Why? Because the program contains a variety of protectionist weapons, including retaliatory tariffs against the country’s largest trading partners, dismantling NAFTA, withdrawal from the proposed Trans-Pacific Partnership (TPP), and taking potshots at the World Trade Organization (WTO). In justifying his protectionism, Trump has harkened back to the ideas and policies of the Civil War era. “Listen to this,” Trump said last June. “The first Republican president, Abraham Lincoln, warned that, quote ‘the abandonment of the protective policy by American government will produce want and ruin among our people.’ He understood it much better than our current politicians, that’s why he was Abraham Lincoln, I guess.”[2] Although it ignores the myriad ways in which the global economy has changed between then and now, Trump’s drawing upon the Republican Party’s protectionist past is illustrative of the long fight between economic cosmopolitanism and economic nationalism that helped define Civil War Era party politics and foreign relations.
Trade was a divisive issue within the GOP from its founding in the 1850s. While the party’s broad adherence to the antislavery mantra “Free Soil, Free Labor, Free Men” at first hid this ideological conflict between economic nationalism and economic cosmopolitanism, the internal war over trade would end up reshaping and redefining the Republican Party by the early 1880s. The Republican majority, including Abraham Lincoln, was wedded to the Whig-protectionist “American System” of economic nationalism. But, overlooked until recently, the fledgling party also contained a vocal minority of free traders: a regular “who’s who” of radical northern abolitionists.[3]
This minority of Republican abolitionist free traders–most notably Joshua Leavitt, Henry Ward Beecher, Edward Atkinson, William Cullen Bryant, Charles Sumner, Ralph Waldo Emerson, and William Lloyd Garrison–did not adhere to Jeffersonianism, however, which had become tied to a defense of Southern slavery. Rather, they subscribed to the mid-century, British-born free trade ideology called “Cobdenism” (aka the Manchester School), named after the Victorian British “apostle of free trade” Richard Cobden, a staunch abolitionist and leader of the mid-century international peace movement.[4] Building upon the international dimensions of David Ricardo and Adam Smith, Cobdenism entailed the belief that free trade and a non-interventionist foreign policy would lead to prosperity and peace the world over. Cobdenism was also closely associated with the Anglo-American abolitionist movement, believing “free men” and “free trade” were but two sides of the same coin.
In 1846 Cobden had led in the successful overthrow of the protectionist Corn Laws in England, ushering in nearly a century of British free trade.[5] That same year, Cobdenites on both sides of the Atlantic had further cause for celebration, when the United States also lowered its tariff (the 1846 Walker Tariff), signaling a transatlantic move toward trade liberalization that continued for another fifteen years.[6] Cobdenites claimed this shift toward freer trade had also helped avoid war with Britain over the Oregon boundary dispute. A “free trade tariff on both sides will settle the matter quickly,” William Cullen Bryant’s New York Evening Post had predicted in late January 1846, “and give us something better to do than fighting.”[7]
This 1846 cartoon from London’s humor magazine, Punch, depicts how free trade in grain would bring a peaceful settlement to the Oregon dispute, with Sir Robert Peel [left] pelting a militant President Polk [right] with “Free Corn.” Courtesy of the author.But this brief American flirtation with freer trade came to a halt by the time Lincoln entered the White House in 1861. In that year, Republican protectionists got what they wanted. Thanks to the secession of various Southern states in late 1860 and early 1861, the Republican Party’s economic nationalist majority suddenly found itself with the congressional numbers to push through passage of the protectionist Morrill Tariff in March 1861, to the great dismay of the GOP’s Cobdenite minority—and to the great consternation of many in Free Trade England. The close timing of Southern secession and the tariff’s passage caused many in economically cosmopolitan Britain to think at first that the protective tariff’s passage had caused secession, when in fact it had been the other way around. This initial confusion gave rise to the great Civil War lie that the Morrill Tariff had sparked secession, still erroneously touted to this day by myriad neo-Confederate advocates of the Lost Cause. The tariff’s passage thus created serious problems for Anglo-American relations in the first years of the Civil War—and further alienated the Republican Party’s free trade minority.[8]
The rift between the GOP’s protectionist majority and its Cobdenite free trade minority grew even wider after 1865, with the end of the Civil War. With the slaves now freed, the antislavery cause no longer bound together Republican protectionists and free traders. On the one hand, the party’s majority of protectionists sought to establish the party as the economic nationalist defender of the American System; as a result, slogans like “America for Americans” and “Protection for the American Workingman” increasingly peppered post-war GOP parades and conventions. On the other hand, the GOP’s minority of cosmopolitan free traders sought to overthrow the party’s fast-developing, ultra-nationalist protectionist system; for them, freeing trade was a necessary prerequisite for American peace and prosperity, as well as the next step in the emancipation of mankind.
Bearing a strong resemblance to Trump’s “globalist” conspiracy theories today, the Republican protectionist majority became ever more paranoid about the mounting Cobdenite free trade agitation in the United States.[9] Although never finding a smoking gun, the GOP’s top protectionist ideologues were prone to charging that there was a transatlantic free trade conspiracy afoot to undermine American infant industries by dismantling American high tariff walls and thereby allowing in a deluge of cheaper British manufactured goods. As Republican Cobdenite Joshua Leavitt observed in 1869, “no man of prominence in America can support even a partial relaxation of the rigours of Protection without bringing upon himself the stigma of being a partisan, and probably a pensioner, of ‘British Free Trade.’”[10]
The GOP’s internal ideological conflict over trade reached a breaking point in 1872, much like last year when free traders in the Republican National Committee contemplated running a third-party ticket once Trump appeared the likely nominee.[11] In 1872, however, the re-nomination of the corruption-laden protectionist Ulysses S. Grant broke the Republican elephant’s back. Disgusted, Republican Cobdenites decided enough was enough, and ran their own independent ticket. They named themselves the Liberal Republican Party, “liberal” in the Civil War era referring to liberal economic policies like free trade. The attempt ended in dismal failure, however, when protectionist editor of the New York Tribune Horace Greeley hijacked the nomination proceedings, to the dismay of the splinter party’s free trade founders.[12]
In this cartoon, Thomas Nast mocks the New York Tribune’s editorial tactic of tying Cleveland to British free trade and Southern slavery in the lead up to the 1884 elections. Courtesy of HarpWeek.
The Republican Party’s free trade independents learned hard lessons from the debacle of 1872. So when the GOP nominated another corruption-laden protectionist candidate in 1884–the “Plumed Knight” James G. Blaine of Maine–those in favor of free trade decided instead to throw their support behind the reform-minded Democratic nominee, New York Governor Grover Cleveland, who seemed amenable to lowering US tariff walls. Their party treachery earned them the moniker “Mugwumps” and helped swing some close races in the northeast for Cleveland. Their defection also allowed the GOP to become the party of protectionism through and through, an ideological position that its rank and file would maintain until the Reagan Revolution. Trump’s “anti-globalist” nostalgia for Lincoln’s economic nationalism is therefore rather apt, heralding a return to the party’s paranoid protectionist roots. If the Republican Party’s Civil War era past is any guide, Trump’s protectionism might also herald another GOP civil war over trade, and the return of the Mugwumps.
[3] Marc-William Palen, The “Conspiracy” of Free Trade: The Anglo-American Struggle Over Empire and Economic Globalization, 1846-1896 (Cambridge: Cambridge University Press, 2016); See also Marc-William Palen, “Free-Trade Ideology and Transatlantic Abolitionism: A Historiography” Journal of the History of Economic Thought 37, no. 2 (June 2015): 291-304.
[4] See, especially, Peter Cain, “Capitalism, War, and Internationalism in the Thought of Richard Cobden” British Journal of International Studies 5 no. 3 (October 1979): 229-247; David Nicholls, “Richard Cobden and the International Peace Congress Movement, 1848-1853” Journal of British Studies 30 no. 4 (October 1991): 351-376; Martin Ceadel, “Cobden and Peace,” in Anthony Howe and Simon Morgan, eds., Rethinking Nineteenth-Century Liberalism: Richard Cobden Bicentenary Essays (Aldershot: Ashgate, 2006): 189-207.
[5] Anthony Howe, Free Trade and Liberal England, 1846-1946 (Oxford: Oxford University Press, 1997); Frank Trentmann, Free Trade Nation: Commerce, Consumption, and Civil Society in Modern Britain (Oxford: Oxford University Press, 2008).
[6] Scott C. James and David A. Lake, “The Second Face of Hegemony: Britain’s Repeal of the Corn Laws and the American Walker Tariff of 1846,” International Organization 43, no. 1 (January 1989): 1-29; Patrick J. McDonald, The Invisible Hand of Peace: Capitalism, The War Machine, and International Relations Theory (Cambridge: Cambridge University Press, 2009), 141-155.
[10] Joshua Leavitt, An Essay on the Best Way of Developing Improved Political and Commercial Relations Between Great Britain and the United States of America (London, 1869), 32-33.
[12] See, for instance, Andrew L. Slap, The Doom of Reconstruction: The Liberal Republicans in the Civil War Era (New York: Fordham University Press, 2006).
Marc-William Palen is a historian at the University of Exeter. He received his Ph.D. from the University of Texas at Austin. He is the author of The “Conspiracy” of Free Trade: The Anglo-American Struggle over Empire and Economic Globalization, 1846-1896 (Cambridge, 2016). He is also the editor of the history blog The Imperial & Global Forum, and co-director of History & Policy’s Global Economics and History Forum (King’s College, London). He can be reached at m.palen@exeter.ac.uk. You can follow him on Twitter @MWPalen.
The time had come for the delegates to Kentucky’s Sovereignty Convention to decide whether or not the state should secede. One by one, the delegates responded to the roll call vote. Once the representatives from the Cumberland Plateau, Pennyroyal, and Jackson Purchase regions had spoken, the vote was tied. It was up to the Bluegrass region to determine the state’s fate. “This is so exciting!” said one of the delegates.
The year was not 1861 but 2017, and the setting was not Kentucky but a college classroom in Colorado. For the first time, I used the role-playing game “Reacting to the Past” (RTTP) to teach the sectional crisis and secession in my Civil War Era class. One of my colleagues used an RTTP game to teach the Mexican Revolution, and he suggested that I try the “Kentucky, 1861: Loyalty, State, and Nation” game in my course. I have been moving away from lectures and heading towards active learning exercises in class, so I was open to his ideas. Before following his advice, though, I did as much research as I could on RTTP. The testimonials that I uncovered seemed so breathlessly enthusiastic (Mark Carnes, one of RTTP’s founders, has a book immodestly titled Minds on Fire: How Role-Immersion Games Transform College) that I wondered if it was some sort of academic cult. Despite my reservations, I decided to drink the Kool-Aid.
In RTTP games, students take on roles based on historical figures or archetypes and re-enact events from a historical era. The games range from debates over democracy in Athens, to the shape India will take following independence in 1945.[1] In “Kentucky, 1861: Loyalty, State, and Nation,” the only RTTP game directly related to the American Civil War, students play the role of delegates to a special session of the Kentucky legislature. There are twenty-seven different characters, many of them based on actual antebellum figures. One student became Cassius Clay, another was governor Beriah Magoffin, and a third was Simon Bolivar Buckner, Inspector General of the Kentucky State Guard. The “Homespun Lawyer” is based on William Lowndes Yancey while the “Arch-Unionist” represents Joseph Holt. Other characters are archetypes, like the Jacksonian Democrat who opposes additional legislative spending and wants to keep Kentucky united. Each student receives a character sheet (provided with the game materials) that explains the person’s background and views on a variety of issues. All characters have a variety of objectives to accomplish during the game, and they usually have to work with other characters to succeed. Issues ranged from reforming the state’s manumission act, to encouraging immigration into the state, to preventing the flow of military supplies through Kentucky. The game was, in a way, a cross between a historical re-enactment and the “Survivor” television show.
The preparation for the game, both for the instructor and for the student, is extensive. I had to become familiar with the 232-page Instructor’s Manual and the 190-page Game Book. The Game Book includes a historical background on the sectional crisis, the game’s rules, a description of the assignments, a description of Kentucky in 1861, primary source documents, and a bibliography. Instructors have to assign roles to students, distribute handouts, track student progress, and answer an abundance of questions. The students had to read a historical background article and an extensive list of primary texts. They were also tasked with delivering at least one speech and publishing one issue of a newspaper (complete with masthead, an editorial, and articles), both of which had to reflect their understanding of the assigned materials. Students could also run for Speaker of the House, propose legislation, debate initiatives, form militias, and jockey for political power.
The game itself proceeds through 1861, with sessions that respond to the secession of the Lower South, the Crittenden Compromise, the creation of the Confederacy, the firing on Fort Sumter, and the secession of the Upper South. It also requires an extensive investment of class time. My class runs on a Tuesday/Thursday schedule and I used two class periods to introduce the material, another five to play the game, and one more to debrief the students. Even though the two introductory sessions covered essentially the same material that I normally covered, I decided to eliminate a third introductory session and one game session. The game thus consumed about four weeks, or one-quarter of my semester. I chose to use Gary W. Gallagher and Joan Waugh’s The American War: A History of the Civil War Era as the text that would take the place of my lectures.
When I spoke of the game during the first couple of class periods, students were dubious. Six of the forty students dropped the class, including one with the last name of Sanders, thus depriving those who remained of the fun of addressing him by the honorific title of “Colonel Sanders.” The discussions of the background reading and primary source material went well, but the game started slowly. I had a hazy understanding of how to act as “Gamemaster” and the students had not fully digested the rules.[2] By the end of the first session, though, we had vigorous debate that revealed the contradictory nature of America in 1861. As we worked our way forward in time, students became more confident to speak up in class, and many of them provided excellent distillations on topics such as the influence of the Fugitive Slave Law on secession or the political philosophy of John Calhoun. I sat off to the side of the class and did not speak much during the legislative sessions. As for Kentucky, the delegates from the Bluegrass region tipped the scales in favor of secession. I rolled a die to determine the war’s outcome and we learned that the war lasted four years and the Union government freed the slaves. In reality, of course, Kentucky did not secede, but the other two events did happen.
The game had a number of positive effects. The level of interaction among students was substantially higher. Rather than being locked into their little cell phone worlds before class began, they were politicking and working the room to secure votes. One student also noticed this change and commented that, more than any other class he was taking, he got to know his classmates. Other students said that they really enjoyed the game and found it to be a good way to learn about the contingent nature of events in 1861. They cited the high level of work that went into the assignments but said that they learned so much. Indeed, their speeches and newspapers exceeded my expectations. The class period after the re-enactment ended was one of the best that I have been a part of during my seventeen years of teaching. During our comparison of the game to actual events, an essential part of the curriculum, the majority of the class asked questions. As we continued to discuss the early part of the war, the students referred back to the knowledge they gained because of the game. I cannot credit RTTP with this passion for history, but I suspect that it has motivated my students to learn more. At least five students have stopped by my office and mentioned how much they are learning in this class.
There are several drawbacks associated with the game, though. In a larger class such as mine, it was difficult for all students to deliver their speeches and the sessions bogged down at times. Some students were simply not invested in the activity while others did not make an effort to build coalitions or trade votes. The game was also a fair degree of work for me, between grading the assignments, answering questions, and keeping up with administrative work.
As for me, I will drink the Kool-Aid again and use RTTP the next time I teach the Civil War course.
[1] A list of published games and those in development is found on RTTP’s website, https://reacting.barnard.edu/ (accessed March 22, 2017). Additionally, there are a number of videos on YouTube that demonstrate how the games work; this video is one example, https://www.youtube.com/watch?v=_U6L9ERzw0U (accessed March 22, 2017).
[2] From June 8 to 11, 2017, there will be a Faculty Institute at Barnard College to train instructors. Participants can attend workshops on twelve different games. See https://reacting.barnard.edu/ai-2017.
Dr. Robert Gudmestad is an Associate Professor of History at Colorado State University. His current research project involves using GIS to study the Union and Confederate brownwater navies and their quest for control of the Mississippi River system. He is author of A Troublesome Commerce: The Transformation of the Interstate Slave Trade (LSU, 2003) and Steamboats and the Rise of the Cotton Kingdom (LSU, 2011). He can be reached at robert.gudmestad@colostate.edu.
We are delighted to announce that Lorien Foote’s article in the March 2016 issue, titled “‘They Cover the Land Like the Locusts of Egypt’: Fugitive Federal Prisoners of War and the Collapse of the Confederacy,” is a finalist for the 2016 Army Historical Foundation Distinguished Writing Award. Lorien’s discussion of escaped prisoners of war in South Carolina (which she estimates at around 2,676 between September 1864 and February 1865) provides insights into the collapse of the Confederate state. As Lorien states in this excerpt, the story of these federal fugitives provides insight into the Confederacy’s final years in three ways:
First, this story uncovers the temporal and spatial dimensions of the collapse of the Confederate prison system and the movement of fugitive prisoners in the region between September 1864 and February 1865. As Edward Ayers and Scott Nesbit have pointed out, studying these dimensions allows us to find variations in experience and to make connections between events. The location and timing of three mass outbreaks—from Florence in September, from trains to Columbia and from Columbia itself in October and November, and from the railway lines that ran between Columbia and the North Carolina border in February— shaped the contours of fugitive travel in the state. Fugitive movement concentrated within four distinct travel corridors during October, November, and December, and the encounters among fugitives, slaves, and communities differed in each corridor.
Second, tracing the escape and flight of Federal prisoners of war exposes to view spaces where the Confederacy no longer maintained control in South Carolina. Before Sherman invaded the state, officials lost the ability to defend loyal citizens from a variety of enemies who moved within and across its borders. Finally, the movement of Federal prisoners across the landscape makes explicit the role citizens took on during a state’s collapse at the end of the war. South Carolina’s experience suggests that the disintegration of Confederate and state authority facilitated a breakdown of order that left citizens largely responsible for their own security. Families and individuals, rather than Confederate officials, made decisions on the ground about what constituted loyalty and when, if, and how they would handle threats to the state. Citizens were no longer willing to contribute their manpower or their resources to a government that no longer functioned. When Confederate authorities proved unable to respond to the threat of fugitive Federals, effective control reverted to local agency.[1]
Keep reading on Project Muse (https://muse.jhu.edu/article/611880). The winners of the Distinguished Writer Award will be announced at the Foundation’s annual meeting on June 15.
[1] Lorien Foote, “‘They Cover the Land Like the Locusts of Egypt’: Fugitive Federal Prisoners of War and the Collapse of the Confederacy,” Journal of the Civil War Era 6, no. 1 (March 2016): 32.